Cine-Excess VI – Transglobal Excess: The Art and Atrocity of Cult Adaptation
Thursday 24th May 2012 (ODEON COVENT GARDEN)
Conference Registration 11.30 -1pm
1pm-1.15pm Conference Welcome/Conference Opening
1.15pm-2.45pm Panel 1 The American Nightmare: Visions of Adaptation and Excess
Chair: Kate Eagan
1. Laura Mee, (De Montfort University) “Think you can bring the dead back to life?”: Platinum Dunes and the Horror Franchise Reboot.
2. Wickham Clayton (Roehampton University) “Unnatural, unnatural, unnatural, unnatural, unnatural!”… but real?: The Toolbox Murders as a True Story Adaptation, or Not
3. Aaron McMullan (King’s College, London) “Blowback Horror: Adaptation, Interrogation and Revelation in Post-9/11 American Horror Cinema.
3.30pm-5pm Panel 2 Transnational Excess: Cross-Cultural Studies in Adaptation
Chair: Leon Hunt
1. Ben Halligan (Salford University) Factory as Laboratory: Vinyl – Andy Warhol’s A Clockwork Orange.
2. Alex Marlow-Mann (St Andrews University) Feeling across Borders: Transcultural Appropriation and Sensorial Embodiment in Cattet and Forzani’s Amer (2009).
3. Adrian Horrocks (Anglia Ruskin University) Modern French Horror: Foreign Genre Cinema as Site of Adaptation and Allegory.
6.30pm-7.30pm Script to Scream: The Time Out Magazine and Cine-Excess Discussion – The Art of Cult Adaptation
8pm-9.30pm Cine-Excess UK Theatrical Premiere 1: Closed Circuit Extreme (Giorgio Amato, 2011)
10pm -11.30pm Cine-Excess UK Theatrical Premiere 2: Shiver (Julian Richards, 2011)
Friday 25th May 2012 (ODEON COVENT GARDEN)
10am-11.45am Panel 3 Literature, Lust and Laughs: Cult Adaptations of the Erotic
Chair: Mark Goodall
1. Clarissa Smith (Sunderland University) A Mother’s Love Cannot be Denied: Ma Mere.
2. Sarah Harman (Brunel University) Returning to Roissy: Just Jaeckin and Kink.com’s adaptations of the Story of O.
3. Tamao Nakahara (Independent Scholar) New Hats and Shoes: Cross-Dressing in 1970s Italian Sex Comedies.
12.00pm-1pm Keynote 1 Professor Steffen Hantke (Sogang University) ‘West German Cult TV: Re-Packaging Subcultural Capital.’
2pm-3.30pm Panel 4 Maniacs, Myths and Monstrous Movies 1: Adapting Themes and Figures of Evil
Chair: Filippo Del Lucchese
1. Daniel O’Brien (Southampton University) Blue Collar Mephistopheles: Videodrome and the Subversive Sidekick.
2. Elisabetta Di Minico (University of Barcelona) Horror and the dystopia.
3. Finn J. Ballard (Warwick University) Uwe Boll’s Auschwitz as Holocaust ‘Torture Porn‘.
4.00-5.30 Panel 5 Maniacs, Myths and Monstrous Movies 2: Cult Adaptations of the Manson Family
Chair: Charlie Blake
1. Mark Goodall (Bradford University) Helter Skelter: Charles Manson goes to the Movies.
2. Nicolò Gallio (University of Bologna) Surfing with Charlie.
3. Ian Cooper (Independent Scholar) Family Values and Creepy Crawlies: Manson and the Horror Film.
7.30pm-9pm: The Year’s With(out) Lead: Bodies, Bullets, and the 1970s Italian Extreme: A Special Panel Discussion between Enzo G. Castellari, Sergio Martino and Professor Mary P. Wood (Birkbeck College, London).
9pm- 10.30pm The Italian Cultural Institute- Cine-Excess Screening 3: Keoma (Enzo G. Castellari, 1976)
10.30 pm-12.00am The Italian Cultural Institute Cine-Excess Screening 4: Your Vice is a Locked Door and Only I have the Key (Sergio Martino, 1972)
12.00am The Italian Cultural Institute Cine-Excess Midnight Movie Excess (Screening TBA)
Saturday 26th May, 2012 (ODEON COVENT GARDEN)
9.45am-11am Panel 7 Comics, Posters and Pop: Adaptations of Cult Iconography Across Mixed Media
Chair: Julian Savage
1. Neil Jackson (Lincoln University) Stained with the Blood of the Marketing Department: Discourses of Violence in 1970s Film Posters.
2. Leon Hunt Brunel (University) Danger: Diabolik – The Italian Comic-book Anti-Hero as Superhero.
3. Rachel Mizsei Ward (University of East Anglia) Criminal Lifestyles, Sexuality and the Martial Arts: Appropriating Blaxploitation in Hip-Hop Music Videos.
11.30pm-1.30pm Panel 8 Europa Excess: The Italian Trans-Cult(ural) Image
Chair: Xavier Mendik
1. Stefano Ciammaroni (Manchester Metropolitan University) In Too Deep (Red): The Politics and Historiography of Violence and Death in Luchino Visconti’s Ossessione and Dario Argento’s Profondo rosso.
2. Anthony Page (Hertfordshire University) ‘High” and ‘Low’ Art Nazis: Cavani’s The Night Porter and Canevari’s The Gestapo’s Last Orgy.
3. Karen Oughton (Regent’s College) “Who Do You Think You Are Kidding, Mr Fulci? The Role of Metanarrative in Cat in the Brain”.
4. Kate Egan (Aberystwyth University)The Women in White: Aesthetic and Thematic Uses of Costume in Argento’s Films.
2.30pm -4pm Panel 9 Agonised Bodies, Adaptive Performance: Sexuality, Ethnicity and Excess
Chair: Leon Hunt
1. Darren Elliot-Smith (University of Hertfordshire) ‘Queer Poe-nography’: Gay Shame and Gothic Layering in David DeCoteau’s Edgar Allen Poe Cycle.
2. Adam Locks (University of Chichester) Chicks with guns: The cult of female bodybuilding.
3. Grisel Y. Acosta (Queensborough Community College, NY) “‘Spork’ Mixer: Tough, Twisted Girls in Borderless, Multicultural Oz”.
4. Iain Robert Smith (Roehampton University) It’s a Bird! It’s a plane! No, it’s Shaktimaan! : The Bollywood Superhero from Mr India (1987) to Krrish (2006).
4pm-6pm Inglorious Icon: Enzo G. Castellari On-Stage includes Cine-Excess Screening 6: (To Be Announced)
6pm Odeon Close
8pm-9pm The Italian Cultural Institute: Sergio Martino Onstage at Cine-Excess VI
9.30pm-10.30pm Cine-Excess Screening 7: All the Colours of the Dark (Sergio Martino, 1972)
10.30pm -12.00 Cine-Excess Screening 8: Fair Game (Mario Andreacchio, 1986)
For booking and ticket prices head on over to the Cine Excess site for full details…